Great Painters -With God's signature on thier Heart - Humanity salute you

Painting by Max Ernst

Fruit of a Long Experience. 1919. Painted wood relief. 45.7 x 38 cm. Private collection.
Fruit of a Long Experience
Family Excursions. c. 1919. Oil on canvas. 36 x 26 cm. Narodni Gallery, Prague, Czechia.
Family Excursions
Aquis submersus. 1919. oil on canvas. 54 x 43.8 cm. Städelsches Kunstinstitut und Städtische Galerie, Frankfurt-on-Main, Germany.
Aquis submersus
 
Le Limaçon de chambre. 1920. Tempera, goache, ink, pencil, collage on paper. 31.2 x 22.2 cm. Private collection
Le Limaçon de chambre.
 max karl ernst ludwig planck Untitled. 1920. Gouache, Chinese ink and pencil on cardboard. 30 x 25 cm. Private collection
Max karl ernst ludwig planck
The Small Fistule That Says Tic Tac / La petite fistule lacrimale qui dit tic tac. 1920. Gouache on paper. 36.2 x 24.5 cm. The Museum of Modern Arts, New York, NY, USA.
The Small Fistule That Says Tic Tac
The Fall of an Angel / La Chute d'un ange. Collage and oil on paper. 44 x 34 cm. Private collection
The Fall of an Angel
Un peu malade le cheval patte pelu... 1920. Collage and gouache on paper mounted on cardboard. 16 x 23 cm. GAM - Galleria Civica d'arte Moderna e Contemporanea, Turin, Italy.
Maxernst Painting
The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses. 1920/21. Gouache on print. 74.3 x 99.7 cm. The Museum of Modern Arts, New York, NY, USA.
The Gramineous Bicycle Garnished with Bells
Young Chimera / Jeune chimère. 1921. Collage, gouache and Chinese ink on paper. 29 x 9 cm. Private collection
Young Chimera
Birds; also: Birds, Fish-Snake and Scarecrow. c. 1921. Oil on canvas. 58 x 62.8 cm. Staatsgalerie Moderner Kunst, Munich, Germany.
Birds-Fish-Snake-Scarecrow
Approacing Puberty or The Pleiads/La Puberté proche... ou Les Pléiades. 1921. Mixed media on paper, mounted on Cardboard. 24.5 x 16.6 cm. Private collection.
Approacing Puberty
Célèbes or Elephant Célèbes. 1921. Oil on canvas. 125.4 x 107.9 cm. Tate Gallery, London, UK
Celebes-Elephant
The Word or Woman-Bird / La Parole ou Femme-oiseau. 1921. Collage and gouache on paper. 18.5 x 10.6 cm. Private collection.
The Word or Woman-Bird
Seascape. 1921. Oil on canvas. 66 x 81 cm. Private collection.
Seascape - Max Ernst
Oedipus Rex. 1922. Oil on canvas. 93 x 102 cm. Private collection
Oedipus Rex
A Friends' Reunion/Au Rendez-vous des amis. 1922. Oil on canvas. 130 x 95. Museum Ludwig, Cologne, Germany.
A Friends' Reunion
Of This Men Shall Know Nothing. Oil on canvas. 81 x 64 cm. 1923. Tate Gallery, London, UK
Of This Men Shall Know Nothing.
Ubu Imperator. 1923. Oil on canvas. 100 x 81 cm. Private collection
Ubu Imperator.
Castor and Pollution. 1923. Oil on canvas. 73 x 100 cm. Private collection
Castor and Pollution
Woman, Old Man and Flower/Femme, viellard et fleur. 1923-24. Oil on canvas. 96.5 x 130.2 cm. The Museum of Modern Arts, New York, NY, USA.
Woman, Old Man and Flower
The Equivocal Woman (also known as The Teetering Woman). 1923. Oil on canvas. 1923. 130.5 x 97. 5 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany.
The Equivocal Woman
Two Children are Threatened by a Nightingale. 1924. Oil on wood with wooden elements. 69.8 x 57.1 x 11.4 cm. The Museum of Modern Arts, New York, NY, USA.
Two Children are Threatened by a Nightingale
The Couple or The Couple in Lace. 1925. Oil on canvas. 101.5 x 142 cm. Museum Boymans-van Beuningen, Rotterdam, Netherlands.
The Couple
Eve, the Only One Left to Us. 1925. Oil on plaster on cardboard. 50 x 35 cm. Private collection
Eve, the Only One Left to Us
Fishbone Forest. 1927. Oil on canvas. 54 x 65 cm. Private collection
Fishbone Forest
Vision Induced by the Nocturnal Aspect of the Porte St. Denis. 1927. Oil on canvas. 66 x 82 cm. Private collection.
Vision Induced by the Nocturnal Aspect of the Porte St. Denis
After Us Motherhood. 1927. Oil on canvas. 146.5 x 114.5 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
After Us Motherhood
A Night of Love / Une nuit d'amour. 1927. Oil on canvas. 162 x 130 cm. Private collection
A Night of Love
Cage, Forest and Black Sun / Cage, forêt et soleil noir. 1927. Oil on canvas. 114 x 146 cm. Private collection
Cage, Forest and Black Sun
Forest and Dove. Oil on canvas. 100 x 82 cm. 1927. Tate Gallery, London, UK.
Forest and Dove
Forest / Forêt. 1927. Oil on canvas. 114 x 146 cm. Staatliche Kunsthalle, Karlsruhe, Germany
Forest
Snow Flowers. 1929. Oil on canvas. 130 x 130 cm. Private collection
Snow Flowers
Loplop Introduces a Young Girl. 1930. Oil, plaster and various materials on wood. 195 x 89 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Loplop Introduces a Young Girl
Loplop Introduces Loplop. 1930. Oil and various materials on wood. 100 x 180 cm. Private collection
Loplop Introduces Loplop
Human Form. 1931. Oil and plaster on wood. 183 x 100 cm. Moderna Museet, Stockholm, Sweden
Human Form
Birth of Zoomorph Couple / Couple zoomorphe en gestation. 1933. Oil on canvas. 91.5 x 73 cm. The Solomon R. Guggebheim Museum, New York, NY, USA.
Birth of Zoomorph Couple
Europe after the Rain I. 1933. Oil and gypsum on plywood. 101 x 149 cm. Private collection
Europe after the Rain
The Whole City. Oil on canvas. 60 x 81 cm. 1935. Kunshaus, Zurich, Switzerland
The Whole City
The Entire City/La Ville entière. 1935-37. 97 x 145 cm. Private collection.
The Entire City
Landscape with Wheatgerm. 1936. Oil on canvas. 150.5 x 162.5 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany.
Landscape with Wheatgerm
L'Ange du foyer ou Le Triomphe du surréalisme. 1937. Oil on canvas. 114 x 146 cm. Private collection
ernst-max-in-1909
The Angel of Hearth and Home. 1937. Oil on canvas. 53 x 73 cm. Staatsgalerie Moderner Kunst, Munich, Germany
The Angel of Hearth and Home
Lone Tree and United Trees / Arbre solitaire et arbres conjugaux. 1940. Oil on canvas. 81.5 x 100.5 cm. Thyssen-Bornemisza Collection, Madrid, Spain.
Lone Tree and United Trees
Europe after the Rain II. Oil on canvas. 54 x 146 cm. 1940-42.  Wadsworth Atheneum, Hartford, CT, USA
Europe after the Rain II.
The Robing of the Bride. Oil on canvas. 130 x 96 cm. 1940. Peggy Guggenheim Collection, Venice, Italy
The Robing of the Bride
Day and Night. 1941/42. Oil on canvas. 112 x 146 cm. Private collection.
Day and Night
Surrealism and Painting. 1942. Oil on canvas. 195 x 233 cm. Private collection.
Surrealism and Painting
Painting for Young People. 1943. Oil on canvas. 60 x 75 cm. Private collection
Painting for Young People
The Eye of Silence. 1943/44. Oil on canvas. 108 x 141 cm. Washington University Art Gallery, Saint Louis, MO, USA.
The Eye of Silence
Vox Angelica. 1945. Oil on canvas. 152 x 205 cm. Private collection.
Vox Angelica
The Temptation of St. Anthony. 1945. Oil on canvas. 108 x 128 cm. Wilhelm-Lehmbruck-Museum, Duisburg, Germany
The Temptation of St. Anthony

The Phases of the Night. 1946. Oil on canvas. 91.5 x 162.5 cm. Private collection

Phases of Night

Design in Nature. 1947. Oil on canvas. 50.8 x 66.7 cm. Private collection.
Design in Nature
Feast of the God. 1948. Oil on canvas. 155 x 107 cm. Museum des 20.Jahrhunderts, Vienna, Austria.
Feast of the God
Colorado of Medusa, Color-Raft of Medusa. 1953. Oil on canvas. 75 x 92 cm. Private collection
Colorado of Medusa, Color-Raft of Medusa
The Garden of France. 1962. Oil on canvas. 114 x 168 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
The Garden of France
A Swallow's Nest. 1966. Oil on canvas. 134 x 168 cm. Private collection
A Swallow's Nest.
Sign for a School of Monsters. 1968. Oil on canvas. 88 x 115 cm. Private collection
Sign for a School of Monsters

 

 

METTERNICH
AUSTRIA: A PILLAR OF EUROPEAN LPOLITICS
BORN: 1773 DIED: 1859

Metternich Elements Wenzel Nepomuk Lother was a very astute diplomat. He had such a control over European political affairs that the period following. Napoleon and before the emergence of Bismarck in Prussia is called the ‘Age of Metternich’. He was the towering personality during this period who was at the helm of European politics.

Metternich was born in an aristocratic family of Austria in 1773. He was educated at strausbourg and Miens. He was a conservative from the beginning and hated any revolutions. His diplomatic skills found full play when he was appointed as ambassador in Dresden. He also met Napoleon after some time.

Metteernich was appointed Chancellor of Austria in 1809. He remained in this post till 1848. He gradually dissociated Austria from France and organized and alliance of Austria, Russia and Persia against Nepoleon and thus played a vital role in the downfall of Nepoleon. Following his principles and guidance the Czar of Russia, Frederick William of Prussia and rulers of Italy, Greece and Spain took steps to strengthen monarchy in their kingdoms. They crushed all popular aspirations. Metternich was the greatest opportunist of his time and cleverly retained his eminent position in Austria for years. His greatest achievement was that he was able to maintain a balance of power in Europe. He ignored the feelings and aspirations of the people leading to his downfall. He had to flee to England in 1848.

The Vienna Congress of 1814 was the crowning achievement of Metternich. With the consent of prominent countries he redrew the map of Europe. History will remember him for keeping Europe free from any major war for four decades in that age when wars were a common phenomena.

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